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Modern Literature (Part-time) (MA)

Distance Learning
3 Years Part-time

The Modern Literature (MA) provides a theoretical framework for literary study before focusing on topic and genre-based modules. Our aim is to explore and understand the cultural developments of the past two hundred years and their impact on writing, first within Britain and then registering the increasing input of other Anglophone literatures.

Students can study for:

  • Modern Literature (MA)
  • Modern Literature (PG Dip)
  • Modern Literature (PG Cert)

The programme draws on the expertise of staff with specialist interests in Utopian and Dystopian Literature, Children’s Literature, Modernist Literature and Art, Gender; Contemporary Literature, and Narrative and Literary theories.

Course details

Start date:
Study modes:
  • Online
  • Part-time
Language:
  • English
Course length:
3 Years Part-time

Why choose this course?

01
A non-traditional approach to literary studies by drawing in perspectives from, for example, anthropology or philosophy, sociology and education.
02
Modules are underpinned by the research profiles and interests of staff.
03
Module assessment is linked to enhancing the employability skills of graduates.

What you will learn

The part-time distance Modern Literature (MA) moves away from a purely historical and period-based model of literary studies organised around a rump of canonical texts.

Underpinned by instruction in advanced research methods and skills and the comparative study of theoretically informed critical approaches, this MA enables students to develop a nuanced grasp of literature in English and associated aspects of culture in the period from 1790 to the present day.

Students on the MA complete four 30 credit modules in Part I of the course: three compulsory modules – Critical Theory and Bibliography; Shifting Times and Worlds: Modernism and After; and The Child in the Time: Representation of the Child in Modern Literature – and one further optional module, before proceeding to the 60 credit Dissertation in Part II.

Modules reflect staff expertise, for example, the utopian urge in the literature of the modern period or the cultural and intellectual history, philosophy and theology of medicine, body and soul, particularly anatomy.

Compulsory

Shifting Times & Worlds: Modernism & After

(30 credits)

MA Dissertation (Modern Literature)

(60 credits)

Literary Research Methods and Approaches

(15 credits)

Optional

Celtic Arthur and the Mabinogion Tales

(30 credits)

Building Small Worlds: The Short Story in English

(30 credits)

Disclaimer

  • We listen to student feedback and insights from industry and from professionals to ensure that course content is high-quality and up-to-date, and that it offers the best possible preparation for your future career or study goals. 

    For this reason, there might be modifications to the content of your course over time, to keep up to date with changes in the subject area or in the sector. If a module is no longer running, we’ll make sure to keep you informed, and work with you to choose a different suitable module.

Staff

Our People

You will be taught and supported by a wide range of professional staff and teams here to help you get the university experience you are looking for. Our teaching staff were ranked 2nd in Wales for assessments and feedback (NSS 2023) meaning the comments you get back from your work will help you learn. Our commitment to your learning has seen our students place us as Top 10 in the UK for Lecturers and Teaching Quality. Find out more about our academic staff who teach across our courses. 

Ratings and Rankings

Further information

  • Applicants may have achieved a 2:1 degree in Creative Writing or a cognate discipline (those with a 2:2 may be considered for entry to a Postgraduate Diploma in the first instance). Other applicants without a first degree but with a level of experience are also encouraged to apply. In all cases a writing sample and interview will form the major part of the application process.

  • The programme’s assessment strategy consists of formative and summative assessments. Students are assessed on a range of creative and reflective writings, including creative tasks, reflective journal, review, and research essay.

    Assessment for the programme has been informed by studies in Creative Writing Education as well as the subject benchmark statements of the National Association of Writers in Education (NAWE, 2008) and the Quality Assurance Agency (QAA, 2016).

    The decision to have 4 modules in part one - two assessed by portfolio and two through an individual research project – aims to hone particular writing skills and develop a larger sweep of focus. These modules prepare the student to manage the research and writing required for the Dissertation length Creative Project.

    The first portfolio module presents the student with a range of different approaches to writing and a range of different tasks; the second introduces the writer to opportunities and ways of functioning as a professional writer. There is a similar stepped progression in the two research modules: the first focuses on researching and writing around an individual subject; the second broadens out to include context in the form of place or time. All require some meditation on, and reassessment of, writerly strategies employed in the practice.

    The Assessment Strategy is designed in relation to the Learning Outcomes of the MA Programme and the individual component of that programme which is the module. Links are made throughout to the value of each assessment in enhancing the employability skills of graduates, both as professional writers and as writers applying their skills in an appropriate field. For Creative Writers a heightened awareness of linguistic pattern and meaning, high-level written and spoken communication skills and the invaluable skills of listening and discussion essential to any management position. 

    The second purpose is that of developing highly skilled and flexible graduates with training in the key skills required for any high-level job: the abilities to discriminate, absorb, manage, and process complex information, to formulate and construct complex arguments that may be pitched appropriately to different audiences. As the study and practice of written communication, Graduates will be trained in good presentation and communication skills, particularly the skills of listening and co-operating without losing focus.

  • There will be no mandatory additional costs to study beyond the payment of tuition. Students should be prepared to incur the basic costs associated with study such as transport and may wish to purchase coffees, snacks or other sundry items on campus.

    Many students also choose to invest in study support tools such as laptops over the course of their study, though this is not a programme requirement. Any activities related to study or student life which bear a cost beyond tuition will be optional, and the expense shall be clearly communicated to students at the time of registration.

  • You may be eligible for funding to help support your study. To find out about scholarships, bursaries and other funding opportunities that are available, please visit our Bursaries and Scholarships section.

  • Through its links to a host of subjects including Drama, Media, Journalism, Film Studies and Theatre Studies, Creative Writing offers a range of possible writing opportunities. Our location in west Wales enables us to draw on opportunities in a developing area of film and television production here.

    Students are introduced to understanding the world of the self-employed writer by being introduced to publishing (from approaching publishers, the steps of publication, the necessity of documents such as AI sheets), self-presentation in readings, collaborative, cross-disciplinary projects, residencies etc.

    One of the biggest areas of growth is viral advertising narratives and there are also collaborative opportunities in games design and narrative. Links with Literature or History can lead to other possibilities, for example to careers involving narratives associated with archives and museums.

    More widely the focus on both the structure and detail of language develops skills essential to any high-level graduate employment: to formulate and write clear and coherent narratives that present complex information to mixed (or at least varied) audiences. In addition, the programme focus on the respect and listening skills of the workshop is equally valuable. These skills are essential to any of the professions that deal directly with people. These may include social work, probation services, mental health advocates etc.