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Background

Dr. David Bird is a Welsh composer, sound designer, and academic with expertise in electroacoustic music, phonography, spatial audio, and interdisciplinary collaboration. His creative and research work spans film, contemporary dance, theatre, radio, and sound installation, with skills in composition, multichannel spatialisation, and sound design. 

David holds BMus and MMus degrees in Creative Music Technology from the Royal Welsh College of Music and Drama and a PhD from Queen’s University Belfast. His research introduced new methodologies in spatial listening and phonographic practice, including Sequential Spatialisation and Multi-device Phonography. 

From 2014 to 2019, he worked as a Studio Assistant at the Sonic Arts Research Centre. He is currently a Lecturer in Creative Music Technology at the University of Wales Trinity Saint David. His work has been presented at events such as the International Computer Music Conference, Sonorities Festival, and the Cannes Film Festival. 

Specialist Subjects

  • Sonic Art & Electroacoustic Composition
  • Phonography & Spatial Listening
  • Multichannel Spatialisation & Diffusion
  • Sound Design for Media & Performance
  • Sound Installation & Immersive Audio
  • Composition for Film, Dance, and Theatre
  • Interdisciplinary Collaboration

Professional and/or Research Experience

Dr. David Bird has extensive experience in both the creative industries and academia, blending technical expertise with artistic vision. His early professional work involved roles in composition, sound design, and studio-based production across a variety of performance and media contexts.

As Studio Assistant at the Sonic Arts Research Centre (SARC) from 2014 to 2019, he supported innovative projects in spatial audio, immersive sound performance, and sound-based research. Currently, as a Lecturer in Music Technology at Swansea College of Art, David integrates his research specialisms into his teaching practice.

David’s research has introduced novel approaches to spatialisation and phonographic sound, contributing to discussions in sonic arts, sound design, and electroacoustic composition. His work frequently involves collaborations with visual artists, choreographers, and filmmakers, expanding the role of sound within interdisciplinary creative practices.

Qualifications

  • BMus (Hons) Creative Music Technology – Royal Welsh College of Music and Drama
  • MMus Creative Music Technology – Royal Welsh College of Music and Drama
  • PhD Sonic Arts – Sonic Arts Research Centre, Queen’s University Belfast

Languages Spoken

English (fluent)

Professional Membership or Roles

Wildlife Sound Recording Society, Member

Academic Teaching

Professional Publications

  • From Hyperreal Sonic-Images to Phonographic Sound (PhD Thesis)

Additional Information

Dr. David Bird is passionate about collaboration and the creation of large-scale sound installations that explore the intersection of technology, space, and audience interaction. His creative projects often bring together diverse disciplines, including music, visual art, choreography, and performance, with the aim of creating immersive sonic environments that engage audiences in new and thought-provoking ways. One example of this collaborative approach is Superposition, a project co-created with Adam Bell. Situated outside the Sonic Arts Research Centre, Superposition explored the juxtaposition of frequencies associated with the tuning of musical instruments, using sine waves that bent towards, away from, and through five pitch centres (C, G, D, A, and E). The multichannel sound system, activated daily, invited listeners to move through different positions, uncovering varying sonic perspectives as they engaged with the outdoor listening experience. This project highlighted David's ability to fuse sound design with spatial dynamics and encouraged interaction within public spaces. Another example is Silent Revolution (2024), a large-scale collaborative sound installation exhibited at BayArt in Cardiff. This work, created in collaboration with visual artist Professor Sue Williams and vocalist Dr. Marilyn Allen, reflects David’s ongoing interest in developing immersive sonic environments that engage with social themes and listener perception. These projects demonstrate David's commitment to pushing the boundaries of sound-based art, creating opportunities for public engagement, and fostering cross-disciplinary collaboration. He continues to explore how large-scale installations can challenge the boundaries between art, technology, and audience experience.

Available to Supervise Doctoral Students

Yes