Darrelyn Gunzburg

Cefndir

Enillodd Dr Darrelyn Gunzburg ei PhD mewn Hanes Celf o Brifysgol Bryste yn 2014 a BA (Anrh) mewn Hanes Celf o’r Brifysgol Agored yn 2007. Canolbwyntiodd ei PhD ar astudio cynllun ffresgo, yn wreiddiol o dan law Giotto, yn yr hen lysoedd cyfraith yn Padua. Bu’n addysgu Hanes Celf ym Mhrifysgol Bryste 2010-2014 ac ers 2009 mae wedi addysgu Astudio Cosmoleg mewn Diwylliant yng Nghanolfan Sophia ym Mhrifysgol Cymru Y Drindod Dewi Sant lle mae’n cyfrannu mynegiant hanesyddol celf weledol yr awyr mewn diwylliant.

Ym mis Medi 2024 dechreuodd Darrelyn astudio ar gyfer ei MA mewn Celfyddyd Gain (ar-lein) trwy Brifysgol Falmouth.

Pynciau Arbenigol

Cynlluniau ffresgo canoloesol yn yr Eidal
Cyfeiriadedd eglwysi abaty Sistersaidd ac eglwysi abaty Cymreig yn y DU a'u perthynas ddiwinyddol â'r dirwedd
Sut mae ystyr yn deillio o horosgopau genedigol mewn astroleg orllewinol gyfoes
Sut mae lleoedd yn dod yn fannau meddwl ar gyfer byd bywyd tirweddau y tu mewn i wyneb

Profiad Proffesiynol a/neu Ymchwil

Mae gan Darrelyn Gunzburg dros 16 mlynedd o brofiad o addysgu ym maes seryddiaeth ddiwylliannol. Cyn camu i'r byd academaidd, treuliodd 30 mlynedd yn gweithio yn y celfyddydau, gan gynnwys sgiliau syrcas, gwneud ffilmiau, ysgrifennu dramâu, a hanes celf, yn ogystal ag ysgrifennu ac ymgynghori am alar. Mae ei phrofiad ymarferol yn sail i agenda ymchwil sy'n canolbwyntio ar ddeall cynrychiolaeth yr awyr mewn ffurfiau celf dau ddimensiwn fel paentiadau, gwydr lliw, murluniau, ffilmiau a ffotograffau, yn ogystal â mewn strwythurau tri dimensiwn fel adeiladau a chelf y tir.

Mae wedi cyd-gynnull nifer o gynadleddau academaidd ac wedi cyhoeddi'n eang ym maes hanes celf. Mae ei chyhoeddiadau wedi'u cynnwys yn y Journal of Religion Nature and Culture, Cîteaux – Commentarii cistercienses, a The Medieval Journal (sydd ar ddod). Hi yw golygydd The Imagined Sky: Cultural Perspectives (Equinox Publishing Ltd, 2016), a chyd-olygydd Space, Place and Religious Landscapes, Living Mountains (Bloomsbury, 2021).

Cymwysterau

Hanes Celf, PhD, Prifysgol Bryste
Hanes Celf, BA (Anrh), Prifysgol Agored
Diploma mewn Cyfarwyddo, NIDA (Sefydliad Cenedlaethol Celf Ddramatig)

Ieithoedd a Siaradwyd

Mae Darrelyn yn siaradwr Saesneg iaith gyntaf, ac mae’n siarad Eidaleg a Ffrangeg hefyd.

Aelodaeth Broffesiynol neu Rôl

Y Gymdeithas Hanes Celf

Cymdeithas Gelf yr Eidal

Oriel Bortreadau Genedlaethol

Cymdeithas Astrolegol Prydain Fawr

Addysgu Academaidd

Cydnabyddiaeth neu Wobrau Allanol

Ysgrifennu ar gyfer Grantiau Perfformio, Adran y Celfyddydau De Awstralia (1986-1994)
Preswyliad: Stiwdio Keesing, Paris, Bwrdd Llenyddiaeth Cyngor Awstralia, 1992
Cymrodoriaethau Awduron, Bwrdd Celfyddydau Llenyddol, Cyngor Awstralia (1988, 1990)

Dolen i Broffil Orcid

Proffil Ymchwil ORCID

Cyhoeddiadau Proffesiynol

Space, Place and Religious Landscapes: Living Mountains, edited by Darrelyn Gunzburg and Bernadette Brady, London: Bloomsbury Academic. 2021
The Imagined Sky: Cultural Perspectives. Sheffield: Equinox Publishing. 2016
Guest Editor: ‘Special Issue: Inside the World of Contemporary Astrology.' Journal for the Study of Religion, Nature and Culture 13, no. 1. 2019
Guest Editor: 'Special Issue: The Imagined Sky, Cultural Perspectives’, Journal for the Study of Religion, Nature and Culture 7, no. 4. 2013
Brady, Bernadette, Fabio Silva, and Darrelyn Gunzburg. ‘The Orientation of the Medieval Churches of Gwynedd – a Landscape of Sacred Time.’ In Cultural Astronomies in Medieval and Early Modern Europe, edited by Josefina Rodriguez Arriba, 2025 (forthcoming)
‘The Horoscope as Primary Source Evidence for Understanding Local Calendar Practice in Late Fifteenth-Century England: Revisiting Richard Fitjzames’ Stained Glass Window Horoscope of Merton College, Oxford.’ The Medieval Journal, 2025 (forthcoming).
'Make and Create: The Craftswomen in the Salone Frescoes of the Palazzo Della Ragione, Padua’ in Medieval Clothing and Textiles.18: 99-128, edited by Cordelia Warr. Martlesham: Boydell & Brewer Ltd. 2024.
'The Sun’s Light at Michaelmas and the Cistercians of Britain and Ireland.' Cîteaux – Commentarii cistercienses 72, no. 1-4: 47-65. Co-authored with B. Brady and F. Silva. 2021.
'The Summer Triangle and the Stymphalian Birds.' Culture and Cosmos: The Talking Sky 24, no. 1 and 2: 37-53, 2020.
'Time Pursued by a Bear: Ursa Major and Stellar Time-Telling in the Paduan Salone.' In Visualising Skyscapes: Material Forms of Cultural Engagement with the Heavens, edited by Liz Henty and Daniel Brown, 158-176. London and New York: Routledge. 2020
Reflecting on Mary: the Splendor of the Madonna in the Lower Church of Assisi.' In Medieval Franciscan Approaches to the Virgin Mary: Mater Sanctissima, Misericordia, Et Dolorosa, edited by S. J. McMichael and K. W. Shelby. The Medieval Franciscans, 2019
'The Horoscopic Place: The Encounter between Astrologer and Client.' Journal for the Study of Religion, Nature & Culture 13, no. 1 (2019): 44-60. 2019.
'Al-Qabisi.' In Astrology through History: Interpreting the Stars from Ancient Mesopotamia to the Present, edited by William E. Burns, 17-19. Santa Barbara: ABC-CLIO. 2018.
'Art.' In Astrology through History: Interpreting the Stars from Ancient Mesopotamia to the Present, edited by William E. Burns, 27-33. Santa Barbara: ABC-CLIO. 2018.
‘The Reception of Islamic Astrology in the Images of the Palazzo della Ragione, Padua, Italy’ in Religious Offerings and Sacrifices in the Ancient near East; Astrology in the Ancient near East; the River Jordan, edited by Shafiq Abouzayd, 177-194. Oxford:
‘The Orientation of Cistercian Churches in Wales: A Cultural Astronomy Case Study.’ Cîteaux – Commentarii cistercienses 67, no. 3-4 (2016): 275-302. Co-authored with B. Brady and F. Silva. 2016.
‘Giotto’s Sky: The Fresco Paintings of the First Floor Salone of the Palazzo Della Ragione, Padua, Italy.’ In The Imagined Sky: Cultural Perspectives, edited by Darrelyn Gunzburg. 87-113. Sheffield: Equinox Publishing. 2016.
‘Giotto's Sky: The fresco paintings of the first floor Salone of the Palazzo della Ragione, Padua, Italy.’ Journal for the Study of Religion, Nature and Culture 7, no. 4 (2013): 407-433. 2013.
‘The Perugia Fountain: An Encyclopaedia of Sky, Culture and Society’. In Sky and Symbol, edited by Nicholas Campion and Liz Greene, 103-118. Ceredigion: Sophia Centre Press, University of Wales Trinity Saint David. 2013.
‘How Do Astrologers Read Charts?’ In Astrologies: Plurality and Diversity, edited by Nicholas Campion and Liz Greene, 181-200. Ceredigion: Sophia Centre Press, University of Wales, Trinity Saint David. 2011.
‘Looking Back: The Transgression of Social Codes Explored through the Direct Gaze in Fra Angelico’s San Marco Altarpiece When Compared with Madonna and Child with Eight Saints’. St Andrews Journal of Art History and Museum Studies 14 (2010), 31-44. 2010.
‘Ben Uri – from Chagall to Soutine’, Cassone, May. 2012.
‘Nine Warhols Waiting...’ Cassone, October. 2011.
‘Chagall's 'Lost' Masterpiece’. The Art Book, 17:4, pp.43-44. 2010.
‘Philip Jackson—the Body Language of Sculpture’. The Art Book, 17:3, pp.15-17. 2010.
‘J.W.Waterhouse - the Modern Pre-Raphaelite’. The Art Book, 17:2, pp.70-72. 2010.
‘Banking on Art in Istanbul’. The Art Book, 16:4, pp. 70-71. 2009.
‘Collecting a Vision: Henry Clay Frick and the Frick Collection, New York’. The Art Book, 16:3, pp.19-21. 2009.
‘Niki De Saint Phalle’s Magic Circle’. The Art Book, 16:3, pp.16-18. 2009.
‘Le Violon Bleu: A Tune of a Different Colour’. The Art Book, 16:1, pp.83-84. 2009.
‘Ben Uri: Hidden and Homeless’. The Art Book, 15:4, pp.30-31. 2008.
‘Going Dutch in New York’. The Art Book, 15:3, pp.61-62. 2008.
‘Two Saints - Home at Last’. The Art Book, 15:1, pp.27-28. 2008.
‘Jewish Artists and The Bible in Twentieth-Century America’ by Samantha Baskind. Cassone, September.
‘An Art Lover’s Guide to Florence’ by Judith Testa. Cassone, June. 2015.
‘A Laboratory for Art: Harvard’s Fog Museum and the Emergence of Conservation in America 1900-1950’ by Francesca G. Bewer. Cassone, May. 2013.
‘The Art of Life’ by Sabin Howard and Traci L. Slatton. Cassone, May. 2012.
Courts and Courtly Arts in Renaissance Italy: Art, Culture and Politics, 1395-1530’ by Marco Folin (ed.). Cassone, June. 2011.
‘Art and Artifact: The Museum as Medium, Rev. Edition by James Puttnam.’ The Art Book, Vol. 17:4, pp.56-57. 2010.
‘Dialogues in Art History, from Mesopotamian to Modern’ by Elizabeth Cropper (ed.).’ The Art Book, Vol.17:4, pp. 35-36. 2010.
‘Duccio to Leonardo: Italian Painting 1250 -1500’ by Simona De Nepi.’ The Art Book, Vol.17:4, pp. 27-28. 2010.
‘Duccio and the Origins of Western Painting’ by Keith Christiansen.’ The Art Book, Vol, 17:3, pp. 38-39. 2010.
Uri: Migrating from Chaos to London’, Somerset House, London, Cassone, September. 2015.
‘Clean Slate’, Royal West of England Academy, Bristol, UK. Cassone, September. 2012.
‘The wandering artist – a Polish exile in Britain: Josef Herman: Warsaw, Brussels. Glasgow, London, 1938–1944’, Royal West of England Academy, Bristol, UK. Cassone, June. 2012.
The Refurbished Renaissance Galleries at the Welsh National Museum of Art, Bulletin of the Society for Renaissance Studies, Vol. XXIX:1, pp. 3-5, April. 2012.
‘Andy Warhol: The execution of a dream’, Os Mistérios Da Arte Exhibition: Andy Warhol and Pietro Psaier, Evora, Portugal. Cassone, December. 2011.
‘Andy Warhol’s Jewish Minyan’ - Ten Portraits of Jews of the Twentieth Century Exhibition: The Coach House at Waddesdon Manor, Buckinghamshire, UK. Cassone, October. 2011.

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